The answer is... complicated. I have a computer, obviously. I have a stream setup, and I have games that I'd like to play. I have the internet connection to stream— heck, I'm setting up my wife to start streaming, and it seems like she's going to have a great time of it. I can stream. I want to stream, or at least I feel like I do. And even so...
I have to explain something, because I've been in the industry for so long— literally half my life— and the person reading this probably hasn't: Streaming is hard. It's insanely hard. It's especially hard, mind you, for the people who are doing really well at it. It eats up hours and hours of your day. It pushes you to stay up late and drink less water and ruin your posture and only ever order dinner through delivery apps. So you see, it's easy for me to sit back in my cheap office chair and type away at my novelty keyboard for literal hours while the camera is off, which is why I'm seeing real success in my writing efforts now. I can say that I haven't seen any success up until now, which is kind of true, but it also isn't— I started seeing much bigger numbers as soon as I shifted the focus of my life from streaming to writing. That shouldn't be enough to convince me, but it is. Twelve years of videos and streams didn't even add up to six months of writing things out on the internet. I wish that I could point to some magic point back then where I was having fun. I wish that I could say, yes, sitting up late in my parent's basement with a coat wrapped around my shoulders because there's no way to get heat to settle down there, that was the moment I fell in love with streaming as a career.
But I can't.
My first webcam was bought with money I got from donations. I think that's something that I tend to skim over a lot— I did take donations in the past, and I'm planning on taking them again someday— and I got twenty or so dollars from some person I had never met, who saw me trying my best and wanted to spend some money on that. I was something like 13, and I didn't have any conceptualization of this guy who sent me money. In my mind, it was like a kid giving their allowance to another kid. But from the outside, it feels a bit weird. In hindsight I maybe shouldn't have taken this person's money. Here they were, probably a lot older than me, probably an adult or at least a teenager, sending me just enough money that they would get to see my face in the corner of their monitor. I was fourteen years old.
I didn't know this person, and they didn't really know me, and I didn't really know what I was doing, and they paid me twenty dollars so that they could look at my face. I don't even know if they knew what they were doing, either. Maybe they were just being nice. Maybe they didn't care about my stream at all, or maybe they cared about it a lot. I'm twenty six now, about to be twenty seven, and I still don't know who that person is. I still don't know what they were thinking, and I don't know what to say to them. Did they like my face? Are they disappointed with how I spent their twenty dollars?
I talk a lot about vtubers— or at least, I talk about them a lot on social media— and one of the things that I bring up over and over is the dissociative element of it. It's not like a mask, and it's not like a puppet, because that's supposed to be you. But it's a version of you that doesn't really exist outside of that stream space, that space where you're supposed to be performing for all of these people. It creates this gap between "the performer" and "the performance" that I think should only exist when "the performance" isn't about being a human thing. Looking at vtubers now, I get the sense that it's like playing with dolls. It's like playing with dolls in a literal sense because it's a form of play, and it's a form of make-believe, but it's also like playing with dolls because they're a product. They're a thing that you buy.
Sometimes you pay them to look at their face.
One time I donated to a streamer, and I won't say who— for my sake, not theirs— but I donated to them because they had a headache. In true autistic fashion, I told this person who was minding their own business and complaining about a headache on stream that they should probably take a break from their literal job, and also that they should drink extra water because HRT can give you headaches if you're not careful. And I'll never forget this— I sent them this whole long message, and it came through on the screen, and they actually read it! They read through the whole thing, and they said "thank you, that's very kind, also I don't know how to tell you this but I'm not on HRT." And I remember sitting there in the darkness of my office and staring at the screen, and it was like the entire world had shattered into a million little pieces. All of a sudden I wasn't a person hanging out with another person, I was a... user, and I was hanging out with a product. I was so embarrassed at my own social ineptitude that I blew myself right out of the parasocial space and back into the real world, where I was a weirdo sitting at a desk in the pitch dark in the middle of the night watching some stranger play a video game.
I didn't know who they were, and I didn't know who I was, either. I had a stream scheduled for the day after that. I realized, in that moment, that I was no longer trying to be a human thing. I was a face and a voice, disembodied on the internet, and the only thing keeping me put together was the feeling that I was really doing something with my life. Even when I wanted to quit, even when I did quit but I came crawling back, that was the feeling I carried with me. I can't get a job, so I have to stream. I can't be a real person, so I have to succeed at being a fake one.
There's a disconnect, when you stream, where you really have to keep yourself from looking at the viewer count. Because as soon as you do that, as soon as you realize that you're only talking to like three dudes in a trenchcoat, you can't keep acting. It doesn't feel like you're interacting with a person anymore. That's the weird thing about parasocial relationships— it happens in both directions. I don't know you, and you don't know me. Even you, the person reading this, there's only a miniscule chance that you actually know who I am. And I'm really lucky, being a writer, that you only get to interact with me in passing. You can leave a comment, but I'm not going to have to read your comment on the fly and interact with it as part of the thing that I'm writing. Doing that is a streamer's job, and I'm not a streamer, at least not anymore. I could be a streamer, that's what I tell myself. I could be a streamer and it would be great, but then I'd realize that I'm talking to you, and you is a very scary thing to be talking to, because you might be a thousand people or thirty five thousand people or one person and I'm all too comfortable getting close to people who are arbitrary numbers like that. I'm easily attached like that. I don't want to have thirty five thousand friends and I don't want to have one friend. I have to aim for somewhere in the middle.
I actually stream a lot, over discord, where people can't watch me without knowing who I am first. Nobody pays me anything, and I have a lot of fun. Sometimes I wonder if it will feel the same doing it in public, where the money and the eyes are on me. I know it won't, but I have to wonder.